Economic realities can wreak havoc on an
artist.
No matter how great the desire to dance, sing or play
an instrument, a person has to eat. If the art won't
pay, the prudent person finds something that will.
Members of the Park Avenue Chamber Symphony have
found a way to keep their day jobs and still satisfy
their artistic leanings.
Working in various professions by day, symphony
members still find time to devote themselves to
performing the music they love - and for worthy causes
to boot.
David Bernard, symphony president, music director and
conductor, said the group he founded gives several
benefit concerts each year.
A performance in the fall raised money for the music
program at the Elaine Kaufman Cultural Center's Lucy
Moses School. The Moses school provides a scholarship
fund that enables underprivileged children to learn how
to play the violin using the Suzuki instruction method.
Symphony manager Andrea Berger said the group's June
13 concert at the Bar Association of the City of New
York will honor Annabelle Prager, founder of the
Interschool Orchestras of New York, an important
institution for young musicians in New York City.
An Oct. 22 concert at Alice Tully Hall featuring
11-year-old violin virtuoso Jordan Urbach will benefit
the Trickle Up Foundation, which provides seed money to
low-income people from around the world to start small
businesses.
Ticket prices are kept low, usually about $15, to
make it easier for people to attend, Bernard said.
"We are a professional orchestra of nonprofessional
musicians," Bernard said. "Our members include many
business professionals who have been very successful at
their careers. The discipline you have to have to be a
good musician can only help you in business."
Bernard is managing director of DB Marketing
Technologies, a Manhattan consulting company. Berger,
who plays the piccolo, is an attorney with the City of
New York.
Violinist Roy Niederhoffer runs R.G. Niederhoffer
Capital Management, a hedge fund. He met Bernard when
they were both in the Long Island Youth Orchestra -
Bernard was an assistant conductor - and jumped at the
chance to join the Park Avenue Chamber Symphony when it
started.
"David had the wonderful idea to combine the highest
possible quality of amateur orchestra with a public
service component," Niederhoffer said. "So there are not
just people who want to play, but also a wonderful way
to promote chamber music and musical education for
people who would not normally have an opportunity to
enjoy it."
"We may not be professional musicians, but we have a
professional approach to the music," Bernard said.
The roughly 45-member group rehearses at least once a
week. Niederhoffer said the members appreciate that
"David is an intense conductor, and he starts rehearsals
on time to the second. He demands the kind of attention
professionals give to their craft. There is not a lot of
fooling around."
The symphony "gives us the opportunity to get
together with people who share the same values,"
Niederhoffer said. "The musical quality is extremely
high. I can really say that these are people who play at
a professional level."
Many symphony members are recruited from the
classical and chamber music scene about town. Some are
referred by members as openings occur in different
sections. And some find their way on their own.
Berger said a Venezuelan woman recently joined after
she moved to the city. The viola player found the group
by checking out its Web site.
"It's an exciting group to be a part of because the
people are there because they want to be there," Bernard
said. "They do it because they love it."
Chamber music
For more information about the Park Avenue Chamber
Symphony and its concert schedule, see http://www.chambersymphony.com/.
Originally published on May 26,
2003